3:33
Instead of you doing the whole phrasing, the
whole time, I want you to just come
in with a big no.
>> Yeah.
Space.
I don't owe you anything and then the whole thing.
>> Yeah, that makes sense.
ONE, TWO.
>> NO!
NO!
NO, IT'S NICE.
YEAH, HITTING A NOTE WITH it is good.
But it's
kind of a note you just hit.
>> You want me to hit that?
You want me to do like a note?
Okay.
Um the front end
of it, try go.
I just want to hear what that SOUNDS LIKE.
GO!
>> I DON'T OWE YOU ANYTHING.
>> >> YOU DON'T KNOW ME.
YOU DON'T KNOW I DON'T KNOW >> >> IT'S REALLY GOOD.
CUZ I DIDN'T KNOW
WHERE IT WAS ENDING.
I WAS I kind of got lost in the sauce.
>> The consensus in the room is you are the best female screamer alive.
I agree.
What I really like about this is that
it does feel natural.
>> There's no cheese at all.
>> Yeah, there's no cheese.
It just feels pissed.
Like it's good.
Let's do it one
more time.
And give me the first go.
A little shorter.
Yeah.
Take your time.
I'm good.
There's no reason to like I'm good.
OKAY.
GO!
YOU DON'T I DON'T >> >> YOU DON'T YOU DON'T I DON'T
>> BEAST.
OKAY.
EVERYBODY IS properly afraid of you now.
Okay, >> >> good.
They should be.
We good?
For now?
>> You're a legend.
No, it's like good forever.
Okay.
>> >> You okay?
Yeah, THAT FELT GOOD.
>> THAT WAS IT. THAT WAS IT.
AND ANOTHER ONE.
>> ONE, TWO, THREE.
OH, OKAY.
Ralph sent me notes.
One thing we could do is just look at all four songs and
the different options and variations based on his
notes and based on your
notes.
Like what do we want to do?
I have so many notes.
>> Make a plan.
You always do.
You got so many notes.
We're in a different place now than when we stopped working on this batch.
This
song could be a great way to give
you more of what you're already getting a
little bit on the album.
That's how I've been thinking about it Mhm.
for a while.
Anything that makes it feel like it would
be more fun in a live setting.
Like the intro.
The bounce of it to me would feel
more fun than playing the held
like power chords in the chorus.
And the bridge on this is my one of my favorite
screaming bridges that she did and it's really good.
I would put this song out
just to get this bridge out in the world.
I don't know
how I got so cold. My chest has a hole
in it. The whole world's falling in.
I don't know
how I got so cold.
But my chest has a hole >>
>> in it. The whole world's
caving in.
>> Caving in.
Caving in.
>> It's caving >>
>> Caving in.
Put that note in the bridge really heavy.
>> You missed it, really?
All right.
You missed it.
What happened?
What did I do?
We remixed We made a new We made a new
version of the song.
Aw, Woah.
It It does that repeating thing, but should it just keep going?
I don't know
what you mean.
Sorry, my words.
All these words, they make no sense.
Maybe not repeat it there.
Oh, this is a different song.
I like that.
That's tight.
Yeah.
That way it doesn't draw attention to itself.
Okay.
I like it.
>> Good idea, Joe.
That's good.
I have TO SING, SO >> >> ONE
OF MY FAVORITE THINGS THAT YOU THINK
in your shirt is going to make it quieter.
>> >> Wait, we got to get the thing.
Hold on, guys.
There we go.
I GOT SO >>
>> COLD. BUT MY CHEST IS A HOLE IN IT. THE WHOLE WORLD FELL IN.
OH, >> >> MAN.
PERFECTO.
YOU WERE ONLY aiming to pass the blaming and move on.
You just turn
>> >> You just turn That's a hard one.
You just turn the You just turn the table
You just turn the table Okay.
I was waiting patiently, saving judgment for
too long.
When a hesitation was set the stage that I lose on.
You were only
aiming to pass the blaming and move on.
You just turned the tables and made my
right to a new wrong.
I think we got it.
Bye, Joe.
Okay.
See you, Mike.
Joe's leaving.
What?
He's not here for the for the long run, man.
He's just here for the good times.
>> I'M A SCARED MAN.
JOE'S GONE.
I'M A SCARED MAN.
